I started playing guitar in the mid 1980s. Let me qualify this. I had some money. I had already learned the bass guitar. I thought that translating my knowledge to the electric guitar would be straightforward. It was not.
Electric guitar is very much its own instrument. Electric guitar requires a completely different mindset to other instruments. But no matter what, electric guitar has been and always will be the coolest instrument in the world.
My love affair wih the guitar began with a Squier Telecaster. It was rubbish, but I loved it. I bought various electrics, but my facourite is my irreplaceable Parker MidiFly which I bought in Boston and brought back with me as hand luggage. Mercifully, that wasn’t stolen, and now I store it in the office.
I wasn’t a heavy metal freak, I preferred a more rhythm based approach and liked picking out unusual chords. I got a few guitar lessons and there was the guitar tab in Guitarist magazine if you were really desperate. Five guitar lessons in the early 1990s and I was £150 lighter and all I learned was that my string bends were pitching a little flat.
I just wanted to play sexy guitar from time to time. Not too much to ask, right? And books were not quite cutting it and neither were my chops. I’d already done all my “woodshedding” for bass for a few years and wasn’t about to do it for a new instrument. Of course, these were the days before the Internet. Now we have all manner of audio-visual aids, some hardware technology based and therefore quite expensive and some software based.
I kept thinking that a new effect would make me sound better, but years of practice taught me that there’s no substitute for being a good clean player. Even distorted guitar would sound cleaner than my cleanest playing. I put this down to poor control of the plectrum. Coming from a bass background, where I felt really at home using my fingers and thumb and nails to pick, slap, tap and generally abuse the fat strings, it was a bit awkward for me to learn how to abuse the much smaller electric guitar.
I wish I’d had then what is available now. I read an article about Jamorama. It looks awesome. You might like to try it out, but I will report on it in full myself very soon. The value for money of Jamorama seems a lot better for the online version which is a sixth of the cost of the CD version. I’d say unless you had broadband, don’t bother looking. The thing I like about it from listening to the samples is that Ben Edwards teaches you what you really need to show off with - how to copy the pros. That is something that a lot of people, no matter how good, can’t quite manage to get across. Do ignore the cheesey intro stuff, that seems geared to teenagers. Obviously, if you’re a teenager, you might well be fine with it.
I had a bass teacher for a while and even he made mistakes in copying the best players because he read the transcriptions and didn’t really listen. If he had really listened, he would have realised that he missed a whole bar from the transcription. I pointed this out to him in class once, he was not too happy, and of course, when I played the whole thing properly in front of the class, I got a lot of respect. Haha. Those were the days.
I’ll let you know how I get on with the Ben Edwards system, I just hope someone does something like it for bass, this old dog would still like to learn some new tricks.